The Cannes International Film Festival is known as a prominent showcase for many European films. The festival occurs annually in Cannes, France, and serves as the ultimate preview of all film genres from all countries. The invite-only festival was founded in 1946 and is held at Palais des Festivals et de Congrès, usually in May. Attendees flock to the festival in hopes of their films being award the ultra coveted, Palme d’Or, created in 1955, is which is the highest honor to be achieved at the festival.
This year, the festival will take place between the days of May 13th and May 24th, under the leadership of Pierre Lescure, the new President of the festival. A number of feature films, as well as short films, will be debuted, either to compete for the various awards up for grabs, or to simply gain international recognition.
The films are split into different categories of the festival: The Official Selection, Parallel Selections and Other Selections. The Official Selection is the main event of the festival, and includes the subcategories In Competition, Un Certain Regard, Out of Competition, Special Screenings, Cinéfondation and Short Films. This year, this category will debut 53 features in total, with 19 each in Competition and Un Certain Regard. The screening committee has opted to include many new faces to the competition for the Palme, while keeping the familiar faces in the non-competing positions. Some notable features that will be shown as part of The Official Selection are Michael Franco’s Chronic and Guillaume Nicloux’s Valley of Love, both of which have a chance of winning the Palme d’Or. A midnight screening of Gaspar Noe’s Love will be shown and the Un Certain Regard selection will be opened by Naomi Kawase’s Sweet Red Bean Paste.
Parallel Selections are non-competitive selections included to enhancing festival-goers appreciation for other aspects of cinema, and are comprised of Cannes Classics, Tous les Cinémas de Monde, Caméra d’Or, and Cinéma de la Plage. Unfortunately, these lineups have yet to be released, but will no doubt come soon, as the majority of the festival has been announced.
Other Selections are produced by organizations outside of the Cannes Film Festival itself, and include Directors’ Fortnight, International Critics Week, and Association for Independent Cinema and Distribution (ACID). The Directors’ Fortnight, or the Quinzainze des Réalisateurs, will be very broad and open to interpretation at this year’s festival. The line-up is significantly European, with four French films and a three part Portuguese film. This is mostly due to the fact that the directors of these films are reacting to what is happening in their countries. The Fortnight’s director, Edouard Waintrop, viewed over 1,600 films and chose the final films from all over, not just from a specific area. There are none from the United Kingdom this year, which is unusual, but there are several from the United States, including two produced by Forrest Whittaker, including Dope, a coming of age movie set in California, and Songs My Brothers Taught Me, a movie about how living the “American Dream” is related to living on a Native American reservation. The International Critics Week will begin with Elie Wajeman’s The Anarchist and close with Mathieu Vadepied’s Learn by Heart. South Korean film Coin Locker Girl, directed by Jun-hee and French film Les Deux Amis, directed by Louis Garrel are also on the lineup for special screenings.
For many, this year will be their first trip to The Cannes International Film Festival. For others, their presence at the festival has become almost automatic, and they will be second, third, or fourth time attendees, if not more so. It’s elegance, felt and seen both on the red carpet, in the hotels, and of course, on screen, is world renowned and talked about for months following. A invitation to the festival is highly desired by industry members and civilians alike, not just anyone can attend; the festival is considered so elite because it is treated as such. Cinema moguls request a place in the festival for their films, and themselves. Cannes itself is one of the most beautiful, upscale places in the world, from the Palais des Festivals et de Congrès to the Hotel du Cap Eden Roc.
A long, pristine red carpet, stunning architecture, and spacious, magnificent interiors are what can be expected from this fete. Celebrities walk the red carpet in virtually every designer imaginable, posing for photographs that will be highlighted on every “best dressed” list of the year. Producers, directors, actresses, and actors from all over the world mingle casually, the weight of competition and critical reception seemingly far away from their minds. From the moment the festival begins, a new energy arrives in the city of Cannes, and remains vibrant until the conclusion of the festival, with the Palais des Festivals et de Congrès at the center of this incredible spirit.
At night, attendees and honorees retire to the most luxurious of hotels, the Hotel du Cap Eden Roc. For years, cinematic geniuses have unwound after a long day at Cannes at this very hotel. The hotel prides itself on the combination of “18th century elegance and 21st century luxury.” With 117 rooms, suites, and villas in all parts of the hotel (the main Hotel du Cap, the original Villa Soleil, and Les Deux Fontaines Residence) all overlook the private parkland and Azure sea; it is no wonder this iconic hotel is a favorite for visitors to The Cannes International Film Festival.